Tuesday, August 10, 2010

Mountain Man - "Sun Dog" (Underwater Peoples) EP


"All of them, all of them have pushed into the air"

The truth is that this record is absolutely beautiful. The other truth is that it was overshadowed by the release of the full-length LP "Made the Harbor" on Partisan. All the songs on "Sun Dog" are on "Made the Harbor" but they are recorded quite differently. Instead of drawing a comparison between the two records, I'm just going to talk about this one. The voices of Amelia, Alex and Molly come across through my speaker with the utmost clarity and texture. I can hear each one of them singing as individuals - which makes the collective sound (they sing all of their songs together, with idiosyncratic harmonies sweeping through each other) wonderfully rich. The sound of their voices is less "bell-toned" then dust, chalk and wood. Each word is distinct here. The friction breaks in an instant and a gust of song blooms. And silence explodes just as quickly.

Mountain Man formed at Bennington College a couple of years ago. Their story has been written about all over the place recently so I'm not going to cover it again here. This NPR interview does a good job though. The group consists of three women who sing songs about nature, sexuality, fear, hope and a sensation that can only be described as "summer in Bennington".

The Sun Dog record, released on Underwater Peoples last month, rescues into delicate oblivion of word and sound. "Let us sing a song to thee, oh my sweet honeybee. You are the one we've been waiting for. You are the dark, you are the buoy." Naked with chance from new voices singing old songs. Songs that don't exist but in the bodies of folks and family. From supple sexy pouting (Dog Song) to majestic yearning (Animal Tracks), this record delivers quite a range of material - sonically, lyrically, and spiritually.

All of those beloved traditionally American musical influences can be heard loud and clear. Sacred Harp, Lomax et al., The Carter Family, etc... And then you also have some Shirley Collins and a bunch of more contemporary influences like Joanna Newsom and Bjork. At the end of the day though, it is just Alex, Molly and Amelia in the Blue House singing and falling in love with each other. Emma is in the kitchen, Drew is at Mightyfood. Later we'll go to Paran.

It is very difficult for me to find the song that I am most taken by. Perhaps because each one feels so completely immersive and inescapable. All of the songs here are free. They drop reference point without hesitation, throw arms open completely, and quiver undying with crazy affirming surrender. Yes. That said, I would highly encourage a close listening of "Mouthwings", the first track on Side B. The version on this record is stunning. In fact, it is worth buying the record for.

Very limited edition of 300 pressed on 180 gram blue/green marble vinyl. Only available at Underwater Peoples and on tour. Artwork by Alex. Get it here.


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