A couple of new GNS releases here. Lets get down to it.
Exactingly sick tape out of nowhere - well not actually out of nowhere - actually out of North Adams, MA on Nathaniel Brennan's (Cruudeuces) Ghetto Naturalist Series label. Jon Lorenz from Wasteland Jazz Unit lays down an hours worth of nasty-tight spare to the bone-scraping hit the horn creations on this c60. The tape starts bleak-city, as in: empty. As in: "Go ahead, knock the door down bitch cuz' their ain't no one home!" Dust for about forever before ol' Jonny starts in with his growl. And boy does he growl. This is not what you might expect from the guts-splatter horn in Wasteland. This tape is way more exciting than most Wasteland stuff because so much less happens. Instead of staring into the sun for long hours fixated by the glistening burn of 'truth', we are blessed with round after round of well-worked devotional brass forcings that would shut up even the most insatiable horn-addicted deconstructionists.
To say nothing of the ground! Meanwhile: surfaces of ocean hum and what sound like impossibly long and consistent comforting snare rolls dwell in the background. The stones outside my house are listening. They are eager to hear what this sage of ancient dull presence has to say. At times the 'space' of the cassette takes the fore and pushes Lorenz's horn behind it. But that doesn't keep his consistently engaging offerings from coming. Reduced to a lichen squeak, the horn at these buried moments keeps pace with the sound of the leaves falling.
And just when you thought it was over, Lorenz makes a final statement that rips open and lets out the last of it - like Dolphy at his most free. Incredible tape. He never looses focus and keeps me in the pocket for the whole hour.
Edition of 40 - great Riggsian art too by Thomas Gerendás. Sold out on the GNS website but you might be able to get it still at Flipped Out or somewhere.
Thursday, October 14, 2010
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